Episode 012: Così fan tutte with Aksel Tollåli
RIP Lorenzo Da Ponte, you would have loved ethical non-monogamy. Our Catastrophic Horniness Correspondent Aksel Tollåli returns to discuss the final (and somehow most controversial?) Mozart and Da Ponte collaboration, in which an incredibly cynical libretto is matched by some of the most gorgeous music in the whole of the operatic canon. It's like if Nathan Fielder orchestrated the Enlightenment.
Additional topics include: The Body Keeps the Score, John Cage, married life with the Mozarts, and the Marquis de Sade.
Follow Aksel on Instagram and Bluesky.
Read friend of the pod Kevin Ng's essay on Così fan tutte in the age of consent for Vancouver Opera.
Simon says:
“Così fan tutte has never been so popular as Figaro and Don Giovanni, yet its music, most critics agree, is just as fine. Therefore, it was thought, the trouble must be with the libretto. It was alternately criticized as too immoral, too slight, too artificial. Maybe so, maybe so. The fact is that none of the alterations has ever been more popular than the original. So let us be satisfied with that. ”
Così fan tutte: The story
Further reading
Richard Wigmore, Julian Rushton, et. al. Così fan tutte (ENO Opera Guides, 2012 ed.)
Bruce Alan Brown: Così fan tutte (Cambridge Opera Handbook, 1995)
Charles Rosen: The Classical Style: Haydn, Mozart, Beethoven (1998)
Kristi Brown-Montesano: Understanding the Women of Mozart’s Operas (2021)
Ian Woodfield: Mozart’s “Così fan tutte”: A Compositional History (2008)
Playlist
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